Messe Frankfurt Exhibition GmbH


Väljaandmist toetab
Eesti Kultuurkapital


Body in a body

Sille Pihlak


Etudes of interdisciplinarity in digital architecture

Architecture and fashion

It turns out architecture and the art of fashion aren’t very different after all. Scale, materiality and form create a visual distinction, but their basic essence is the same – both are protective layers on or for the body – one is closer, the other farther away.

Body 1: human. A multifunctional organism that stands, moves, breathes, thinks. Has undergone minimal shifts in form and needs over its history.

Body 2: clothing or building. Bearer of identity, depending on the user’s personal, political, religious or cultural ambitions[1] and technological progress. In constant change over history.

In an architectural body built over half a century ago, all of the materials were clearly defined according to their qualities: iron ensured structural strength, a glass façade distinguished the internal and external world, concrete provided a usable surface.[2] In fashion, various textiles were used as material for linings and coverings, these in turn joined together by thread and zippers. Now both disciplines are still dealing with traditional materials but, aided by technological progress and changes in the language of design, they have arrived at hybrid materials. This is a story of the convergence of the architectural body and the human body.


Organic design

CAD technology, used in architecture, allows us to trace the evolutionary principles in architecture with increasing precision, and create mathematical models similar to living organisms. The principles of reproduction, formulas for heredity and organic simulation techniques have opened new avenues in design: the possibility to create, along with form, entire systems.

Iris van Herpen, a fashion designer who often collaborates with architects, says that design, fashion design, architecture and science are converging fields. For the designer it is matter of surpassing the split between nature and architecture to set in place “a liberating, speculative language of mutations and augmentation”. Although costumes have been made of various photo-polymers, they constitute natural breathing organisms.[3] Iris van Herpen’s works are characterized by organic language of form and constant experiments with materials in cooperation with the best architects on the field.


New materiality

Due to rapid technological progress and mathematical invention, architecture has gone so far in its experiments with material as trying to recreate organic matter. Experiments involving multi-materiality[4] or re-discovering genuine properties[5] have led architecture to novel results and created major potential in the world of construction.

Neri Oxman’s project Monocoque is a structural surface, parts of which are able to let light through; other parts have the property of a structural skeleton. 3D printing

1 | 2 | 3 Edasi >

© Kirjastus MAJA OÜ